Aug 3

After a two-week delay due to work and travel, the latest installment of my “Culture Making” series is now available on Christ and Pop Culture.

Crouch’s exploration and discussion of the implications “the glory and the honor of the nations” turns the common notions related to Revelation on their ear. When we read Revelation, and see all of the violent and disturbing imagery, from the oceans of blood to the lake of fire, it’s easy to assume that the primary tenor of Revelation is one of destruction, even annihilation, as God purges Creation of sin and judges the wicked. But if the Bible’s purpose is not, as Crouch claims, to talk only about some abstract “spiritual” reality, where does that leave us once sin has been conquered once and for all? What does it mean that our hope is for not merely a spiritual resurrection but a physical one as well? It means that we are left with culture, or as Crouch somewhat humorously describes it, “the furniture of heaven”. The heavenly city, in short, will be filled with the best and brightest cultural accomplishments of the human race.

BBC News:

A story which suggested that users of Internet Explorer have a lower IQ than people who chose other browsers appears to have been an elaborate hoax.

A number of media organisations, including the BBC, reported on the research, put out by Canadian firm ApTiquant.

It later emerged that the company's website was only recently set up and staff images were copied from a legitimate business in Paris.

I’m no fan of Internet Explorer but I found it troubling how people used this “report” as an excuse to indulge in snobbery and elitism.

Aug 2

Wired Magazine’s Chris Colin:

Our ever more sophisticated arsenal of stars and thumbs will eventually serve to curtail serendipity, adventure, and idiotic floundering. But more immediate is the simple problem of contamination. When the voices of hundreds of strangers, or even just three shrill ones, enter our heads, a tiny but vital part of ourselves is diminished. Suddenly we’re breached, denied the pleasure of articulating our own judgment on this professor, or that meal, or this city. It’s a fundamental bit of humanness to discover, say, the Velvet Underground for the first time—to rifle through that box of records at 13 and to reach an unbiased and wholly personal verdict on those strange sounds. Is it pretty? Ugly? Why are they out of tune?

There’s an essential freedom in being alone with one’s thoughts, oblivious to and unpolluted by anyone else’s. Diminish that aloneness and we start to doubt our own perspective. Do I really think Blue Bottle coffee is that great? Or Blazing Saddles that funny? Do I really not like that pizza place because it isn’t authentic New York-style? Sure, it’s entirely possible to arrive at one’s own opinion amidst a cacophony of others. But it’s also possible to bend, unknowingly and imperceptibly, toward a position not naturally our own.

In recent months, the amount of ways to see how others have liked, +1'd, rated, recommended, and commented on anything and everything has become rather tedious and exhausting. That’s one of the reasons why I block website comments (thank you, CommentBlocker). I want to experience articles, videos, etc. for myself and make up my own mind before I'm inundated with everyone else’s opinions.

Update: My Filmwell colleage M. Leary has posted some good follow-up thoughts that points out the difference between true criticism from “fellow wayfarers” and the “tyranny of petty coercion”.

My own personal fave, BBEdit, equates to the Shire: “A quiet, long-overlooked land populated by simple folk who keep mostly to themselves. They are somewhat set in their ways, awkward in their manners, and superficially incapable of apparently simple tasks. Yet they hide deep roots and unexpected strengths.”

Aug 1

Either/Orwell: New ambient project from Writ on Water

Writ on Water recently sent out an e-mail update alerting folks to Either/Orwell, a new side-project of vocalist/guitarist Jeff MacKey (along with Dangerous Trap’s Jarod Weldin). Eschewing the gloomy post-punk aesthetic that typifies Writ on Water's music, Either/Orwell opts for minimal, long-form guitar-based ambience that falls somewhere between Stars of the Lid and Hammock.

Five tracks from the upcoming album can be listened to on Either/Orwell's MySpace page. “Vermontana” and “To Establish, To Release And Then To Recede” are the highlights for me, thanks to their graceful balance of atmospherics and emotional melodies.

As for Writ on Water, the band has been re-recording some of the tracks from The Greyest Day Sessions: 1992-1994 for a possible future release.

Christ and Pop Culture contributors were recently asked “How has having children changed the way you interact with and think about popular culture?” Here are the responses. (Also, bonus points to Seth T. Hahne, Christ and Pop Culture’s resident illustrator, for the lonely Totoro in his illustration.)

Jul 31

CNN’s John Blake:

Many Americans are bilingual. They speak a secular language of sports talk, celebrity gossip and current events. But mention religion and some become armchair preachers who pepper their conversations with popular Christian words and trendy theological phrases.

If this is you, some Christian pastors and scholars have some bad news: You may not know what you’re talking about. They say that many contemporary Christians have become pious parrots. They constantly repeat Christian phrases that they don’t understand or distort.

Jul 30

Now that the Space Shuttle has been grounded, and private investors and companies looking to send people into space, Virginia Brown asks, “As the next generation of spaceships is being conceived, should shuttle designers take their inspiration from sci-fi illustrators?” The answer, of course, is “Yes”.

More and more, the aim of companies, such as Boeing, will be to entice consumers to pay for space travel. Just as airlines have done, they will have to appeal to potential passengers - and investors - in order to establish their brands against the competition.

"An enterprising company seeking to attract government and private passengers might achieve success by offering them spaceships that resembled the unique visions of Chris Foss," says science fiction academic Dr Gary Westfahl.

How boss would it be to go soaring into space in something that might appear in the pages of Concept Ships?

U2 documentary “From The Sky Down” opens 2011 Toronto International Film Festival

Earlier this week, the first batch of films for the 2011 Toronto International Film Festival were announced, including Nicolas Winding Refn’s Drive, Francis Ford Coppola’s Twixt, and Lars von Trier’s Melancholia. One film that I completely glossed over in the announcement was Davis Guggenheim’s From the Sky Down, but it’s since become the film that I'm most interested by.

The film, which opens this year’s TIFF, is a documentary about U2’s Achtung Baby. From the official festival announcement:

Twenty years after the release of U2’s Achtung Baby (1991), Davis Guggenheim (Waiting for Superman, An Inconvenient Truth, It Might Get Loud) charts this groundbreaking album with new interviews, stories and unseen footage from Berlin and Dublin. Now a key chapter in their career, Achtung Baby was in Bono’s words “the sound of four men chopping down The Joshua Tree.”

“In the terrain of rock bands – implosion or explosion is seemingly inevitable. U2 has defied the gravitational pull towards destruction, this band has endured and thrived. The movie From The Sky Down asks the question why,” said Davis Guggenheim.

Speaking as someone who watched Rattle and Hum roughly a bajillion times as a high schooler, I can’t wait to see this — my inner high school U2 fan is positively giddy. Achtung Baby remains one of my favorite U2 albums, and I'd even go so far as to call it one of the best rock albums of the last two or three decades. It’s a fascinating album, both sonically and thematically within the larger context of U2’s catalog, and it has the makings for an interesting and enjoyable documentary.

Speaking of Achtung Baby, the album will likely be getting the deluxe reissue treatment this fall along with Zooropa. No official release date has been announced, but the reissues sound pretty extensive, with several different versions all chronicling the band at the height of their “Zoo TV”-era powers.

On a related note, Achtung Baby is twenty years old?! How did that happen?