The Return of John Grant

John Grant

Once upon a time, there was band called The Czars. And though they made incredibly and heartwrenchingly beautiful music, few people listened to them. But those who did became fans of the deepest and most intense order, and when the band broke up, it left a huge hole in their hearts that nothing could really fill… until now, that is.

John Grant, the Czars’ former frontman and possessor of one of the most beautiful baritones you’re likely to hear this side of Heaven, has just wrapped up work on his first solo album. Queen Of Denmark will be released in April 2010 on Bella Union, and also features the talents of Midlake (with whom Grant has toured in the past).

If you head on over to Grant’s MySpace page, you can listen to “TC & Honeybear”, the album’s opening track. It might just be the finest ‘70s AM soft-rock song you’ve never heard—and I mean that in the best way possible.


N.Design Studio

N.Design Studio

If there’s one design-related skill that I wish I was much more proficient in, it would have to be illustration. Oh sure, I can fire up Illustrator or Freehand and put together a couple of vectors, and I’ve done fair share of sketching in notebooks, but there’s a knack there that I just don’t have. As such, I’m both incredibly jealous and incredibly in awe of someone who really and truly knows their stuff. Which brings me to Nick La and his recent redesign of N.Design Studio, which serves as his blog and design portfolio.

When done right, illustrations can add a nice organic touch to a website design/layout, and that is precisely the case with La’s site. As you travel through the site, you’ll see bright, richly detailed illustrations with a decided Asian bent to them, lending the site both an organic and an exotic look and feel.

But the attention to detail doesn’t end with the illustrations. It continues on through the playful typography in the headers, the tiny icons used for rollover effects in the main menu, and the navigational flourishes. However, there are times when there’s so much detail that the design becomes a little overwhelming and cluttered (e.g., the layout of the blog entry comments).

But overall, a very lush and gorgeous design that, as I mentioned before, leaves me both insanely jealous and very much in awe.

Related: Process of Redesigning N.Design


How To Report The News

It’s funny—and sad—because it’s true.


The Panic Blog

The Panic Blog

You might primarily know Panic as the maker of such fine Mac software as Coda and Transmit. However, they’re also the proprietors of a very fine corporate blog. Now, honestly, I tend to skip most software developers’ blogs. But Panic’s is quite different.

For one thing, the design is one of the more clever and enjoyable ones I’ve seen in awhile. At first glance, it doesn’t appear to be that special, but look a little closer, and you’ll see that it’s chock full of little design details that prove to be rather delightful. Utilizing the latest in CSS3, such as CSS-based rotation, Panic gives their blog a look that is delightfully—and literally—off-kilter, adding to the overall feel of a company bulletin board. (You must be using the latest version of Safari, Firefox, or Chrome to see the effect.)

And there are other little details as well, such as the 3D effects applied to the blog header and “older/newer” navigation at the bottom of the page, or the design of the different types of posts (e.g., company announcement, technical/engineering, list of quick links). Again, it all just adds to a casual, fun, and informative feel.

Which, by the way, ties in with and enhances the overall vibe that I’ve always had concerning Panic: namely, that they’re a company that loves what they do—making “Shockingly Good Mac Software”—and they have a great sense of humor. How else do you explain something like their “lost” retro artwork from 1982, this page chronicling all of the rip-offs of their icons and artwork, or their comparison of Japanese and American snacks?


Tank!

Earlier today, I read an interesting article about the film noir influences in Cowboy Bebop, arguably one of the hippest anime series… well… ever. Naturally, it sent me looking for YouTube clips related to the series, which is when I stumbled across this clip of Yoko Kanno (one of the best movie/TV composers in the business) performing “Tank!”Cowboy Bebop‘s iconic theme—with her band, The Seatbelts.

“Tank!” is, quite simply, one of my favorite theme songs of all time. Obviously, it’s an incredibly catchy, funky, and energetic tune. Listening to it is like having a jolt of electricity shoot up your spine, especially when that saxophone starts wailing. But more importantly, it’s a perfect summation of its series: “Tank!” encapsulates all that is cool, hip, and slick about Cowboy Bebop. You listen to it, and you know exactly what kind of wild ride is in store for you.

To better illustrate what I’m talking about, here are the actual opening credits from Cowboy Bebop (aka, the coolest minute and a half you see (and hear) all week).

OK, three, two, one let’s jam!


More details on Lovesliescrushing’s “girl. echo. suns. veils.”

girl. echo. suns. veils. set

Last week, I (finally) began compiling a list of the music releases that I’m most looking forward to in 2010, and right near the top of the list is girl. echo. suns. veils., the long-awaited rarities set from Lovesliescrushing.

A final release date for girl. echo. suns. veils. hasn’t been announced yet, but it is supposed to come out before the end of the month.

In addition, Projekt has recently released the following details:

girl. echo. suns. veils. will be released in an ultra-limited edition of 300 pieces. It is a 2-CD set. The CDs are in 5” cardboard wallets, with the AVIANIUM cover hand glued, numbered and silk-screened by Scott. There is an 8 page booklet and a 2 panel insert, both printed on really nice 80# Cougar matte stock. The whole thing is housed inside a small wooden box with a slip out front panel, also silkscreened by Scott. Price: $39.98

And here’s the complete tracklisting:

Disc 1: Girl Echo Suns Veils

  1. Babys Breath (Original Version)
  2. Spidery Velvet
  3. Wallflower (Original Version)
  4. Seahorse
  5. Elephai
  6. Blood Jewel Drop
  7. Feathermouth
  8. Blurskin
  9. Deolah
  10. Sugarglow
  11. Lips To Kiss
  12. Aviatrix
  13. Kittenmother
  14. Webbed
  15. Winglike
  16. Mothduster
  17. Goldenfur

Disc 2: Avianium. (microphona magnetica)

  1. Birdlike Licht
  2. Orphan Comet Tails
  3. Horse And Starstreak Twilight
  4. Firefly Rifle River
  5. Quilcurial
  6. Fourth Of July Sky
  7. Slow Ship Giant Vessel
  8. Last Blue Ray
  9. Ghost Blush Rainbows
  10. Desert Train And Weathervanes, Distant Horizon Shimmer
  11. Kirkbright Collossal
  12. Deep Red, White Vaportrails
  13. Siamese Summer Echo
  14. Snowflecked
  15. Frozen Lake, Warm Sun Gilted Glow

More information, including artwork samples and links to MP3 clips, can be found on Projekt’s official girl. echo. suns. veils. page.


New music from Josh T. Pearson

Josh T. Pearson

You might best know Josh T. Pearson as the former frontman of Lift To Experience, the end times-minded noise-rock trio from Texas. But Lift To Experience has been essentially dead for years, and Pearson has since gone on to a solo career. To date, he’s only released a 7” on Bella Union, and while he’s done a number of tours, many of them have been in Europe. So for most of us, the only way to hear Pearson’s solo output is via his MySpace page.

Those expecting something similar to Lift To Experience’s louder than loud shoegazer aesthetic—see The Texas-Jerusalem Crossroads—will likely be disappointed. It’s just Pearson and his acoustic guitar, and he sounds like he’s channeling the ghost of Hank Williams as well as that of Jeff Buckley. Which means, of course, that he’s singing about booze, women, and God—and sometimes all three at the same time.

One holdover from the Lift To Experience days is Pearson’s sense of humor. At times, his songs are deeply reverent and melancholy, the next, cheeky and swaggering. The best example of this is “Woman, When I’ve Raised Hell”. Here, Pearson distills every country music cliché regarding the love and hate between men and women into six minutes, veering from cockiness and offensiveness:

Woman, when I’ve raised hell, heaven knows you’re gonna know it
Don’t make me rule this home with the back of my hand

...to sorrow and resignation:

And your old friend silence would creep back into this pettiest of all places
He’ll ask you again, which is better for worse:
Living with me or living with all my ghosts?

Other songs, such as the ten-minute “Limestone County Blues”, are pretty broad and over-the-top in their delivery (not to mention in their love for Texas and hatred for hippies), but still manage to become affecting in their final moments.

Photo by Scott 1212 Hartzler.


The Third & The Seventh

Note: If you want to get the full effect of the above video, I’d recommend watching the HD version in fullscreen.

Created entirely with CG, Alex Roman’s short film is not just technically and aesthetically impressive. It’s also a wonderful and hauntingly beautiful example of CG’s greatest gift to filmmaking: the ability to create scenes and vistas that are not merely impossible to create in the real world, but are, in fact, more real than reality (i.e., hyperreal).

Or to put it another way, CG allows filmmakers like Roman to pull reality so tightly that when they play it, it sings—to borrow a phrase from Grady Hendrix’s review of Satoshi Kon’s Paprika.

Related: Roman has also uploaded a “making of” video that shows how several of The Third & The Seventh‘s scenes were put together.


Tokyo Shock reissues “Chinese Super Ninjas”

Chinese Super Ninjas

I’ve seen a lot of kung fu films in my day. Some of them have been awesome, some of them have been awful, and some of them should probably have been banned by the Geneva Convention. One kung fu film that has been ingrained in my psyche is Chang Cheh’s Chinese Super Ninjas (aka Five Element Ninjas).

Chinese Super Ninjas was the first “old school” kung fu film that I saw, and it still remains one of my favorites. The horrible dubbing, the ultra-cheesy special effects, the inventive weaponry, the gratuitous gore (including a scene where someone trips over their own entrails)—it all adds up to a veritable classic of the genre as far as I’m concerned.

Up until now, however, the film has only been available via subpar DVD releases, but that changes later this month. Tokyo Shock will be reissuing Chinese Super Ninjas on DVD with an English dub as well as the original Cantonese soundtrack with English subtitles. Additional features include an interview with Lo Meng (one of the great Shaw Brothers actors), a stills gallery, and trailers.

HKFlix is currently offering pre-orders for $12.95, which is quite a bit cheaper than Amazon. And if you need additional incentive, simply feast your eyes on the clip below, which focuses on one of the film’s many awesome—and hilariously gory—fight scenes.


Haiti, the Devil & Pat Robertson

By now we’ve all seen/read/heard Pat Robertson’s recent comments concerning the cause of Haiti’s earthquake (basically, Haiti made a pact with the devil to boot out the French back in the 1800s, and they’ve been cursed ever since). We’ve all come to expect this from Robertson whenever there’s a major disaster—remember his claim that Hurricane Katrina was God’s punishment on America for legalizing abortion?—but it’s shocking, embarrassing, and painful every time.

Blue Like Jazz author Donald Miller posted a response on his blog, and while it’s all good, I found this bit particularly interesting:

Many controlling personalities are drawn to the idea of a severe, vengeance oriented God. Robertson must have read a book about Haiti at one point, but it lacked civility to cite that book and espouse an absurd theological idea on television, without context for both. It was reactionary, and came off as a manifestation of his personality, not his theology. Regardless, it was sadly irresponsible for him to make such a devastatingly shocking statement in the context of great hurt. Can you imagine giving the eulogy at a funeral and starting out by saying “before I tell you about God’s grace, let me make it clear that little Johnny deserved to die because he stole candy from a store.” There is something wrong with a person who would do this.

The St. Thomas Society has posted an even more pointed response, calling on Robertson to repent for his presumptuous statement.

Patrol Magazine’s David Sessions is somewhat more charitable, and wonders if Robertson’s statement is as hateful as we might initially think.

It’s difficult to defend spiritual views—Christian or any other kind—that see human failings like racism and corruption as the punishment of God for voodoo ceremony that may have never happened. They are ignorant and unhelpful, and they undervalue the earthly political work that could improve the situation in a poor nation like Haiti. But many of the people who hold those views also spend thousands of their own dollars to take trips to Haiti building houses, sponsor children in orphanages, and even adopt Haitian children as their own. Pat Robertson devoted an entire program to raising money for the relief effort. It’s difficult to call that hateful.

Jean R. Gelin posted a series of articles—part one, part two, part three—in 2005 that disputes the “pact with the devil” story.

Obviously, the idea that Haiti was dedicated to Satan prior to its independence is a very serious and profound statement with potentially grave consequences for its people in terms of how they are perceived by others or how the whole nation is understood outside its borders. One would agree that such a strong affirmation should be based on solid historical and scriptural ground. But, although the satanic pact idea is by far the most popular explanation for Haiti’s birth as a free nation, especially among Christian missionaries and some Haitian Church leaders, it is nothing more than a fantasist opinion that ultimately dissipates upon close examination.

Finally, Brett McCracken wonders “Why Do We Care What Pat Robertson Says?”

Everyone is buzzing about Pat Robertson this and that, but how many of us have actually given money to a relief organization or said a prayer for Haiti? Why do we care so much about what this old dude is saying about pacts with the devil? More importantly, why are we still talking about it?

If you think that Pat Robertson is a senile old coot whose theories and claims are outrageous, offensive, and absurd, then the best way to tell him off is to give to one of the many relief efforts currently working to bring aid to the people of Haiti.