I’ve been writing about music for more than a decade now, and I’ve seen a lot of artists come and go (honestly, I wouldn’t be at all surprised if it turned out that 80% of the artists I’ve reviewed over the years are now defunct). But there are some artists who continually stick around, who might go unheard from for a year or two, but then always get back onto my radar for whatever reason.
Ryan and Rebecca Coseboom are two such artists. I became aware of the Cosebooms via their first project, Anymore, which I discovered via a sampler that was offered on an old 4AD e-mail list that I once subscribed to. Then came Halou, their more electronica-minded outfit, which survived and transcended such terms as “trip-hop” and “downtempo” thanks to impeccable programming, plenty of 4AD-esque atmospherics, and Rebecca’s lovely vocals.
But Halou came to an end in 2008 while the group was touring with Bob Mould and the Cosebooms subsequently began Stripmall Architecture. It was originally an outlet for more experimental music than might’ve been associated with the Halou moniker, with live shows incorporating everything from “typical” electronics and guitars to typewriters and toy organs. But with the release of We Were Flying Kites, the Cosebooms have returned a little closer to the fold, so to speak—in many ways, We Were Flying Kites picks up right where Halou left off.